Not everything here is a film. The Lab is where the studio tries things, compares tools and figures out why something broke. Every lesson ends up in how the next film is made.
One keyframe and one prompt, sent to Gen-4.5, Kling 3.0 Pro, Kling O3 Pro, Kling 4 and Seedance 2, then compared frame by frame. Gen-4.5 warped the Titan's head, Seedance cropped the shot, and Kling 4 kept both characters on-model.
Sola, the Titan and the desert, each designed twice by Nano Banana Pro and Gen-4 Image from the same written brief. Nano Banana Pro held the 2D anime style and the details (goggles, scarf, the single eye) far more reliably.
Given only a start frame, a long shot drifts: by the end, the Titan had become a different machine (top row). Giving the model a final frame built from the locked design keeps it on-model the whole way (bottom row).
To lead into an existing shot, the image model was given that shot as a reference, and it kept the original Sola while adding a second one sliding down the dune. The fix: generate a clean plate of the location first, then place the character.
The studio's first fully automated episode: a travel host visiting a valley of dinosaurs, 47 seconds, generated end to end. It ran. It wasn't good. The picture was soft, the creatures morphed, the host's mouth moved when he wasn't speaking and he went off-model in wide shots. It was rejected and never posted.
